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Tag Archive | "Electro"

The Glitch Mob destroy Baltimore


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The Glitch Mob, May 8th 2010 Baltimore MD
written by Lancifer

Showing up at the venue, I expected an opening show from Free The Robots, followed by the main event, The Glitch Mob.  What I got however was something completely different.  I was still able to experience the show that I have heard so much about over the past several months from online reviews and friends who have witnessed the show first hand at festival settings.  I can’t help however, but think the members of The Glitch Mob got screwed.

As I arrived at what I felt was a reasonable hour in advance to see the show, cars lined the streets taking up all parking in every direction for several blocks of the venue.  This alone had me questioning the size of the crowd that would be in attendance.  At the door was a list of stages and artists performing on each stage throughout the evening, consisting of Kill The Noise, Dieselboy & Dara, Donald Glaude, and the list goes on and on.  Most important for me however, was that The Glitch Mob was listed, and for a prime time slot finishing up the evening.  Being somewhat new to the east coast, I had no idea how the rave scene was out here in the DC/Baltimore area, but soon realized it was similar to that of the west coast.  You know, annoying kids running around with pieces of candy, waving glow sticks around in circles, spreading peace and love in a way that only kids rolling on ecstasy can.  I recalled very quickly how much I didn’t miss the rave scene from the west coast, as even the smallest things were quick to bring to surface my annoyance.  I guess it’s mainly one of those things where individuals make a stand to be unique, and they end up being just the same as everyone else around them.  I’m all for individuality, or doing whatever you enjoy doing, but can’t help but want to grab one of the girls wearing furry knee high boots, ass hanging out of their beach attire, sucking on a pacifier, waving around blinking lights, wandering around in their ‘rolling’ state, to ask them if they’d take a step back and look at themselves. I didn’t always get irritated at this kind of stuff, so maybe it’s just a sign of me getting old.

Enough of the ranting, and on with the show…  Given the hour time slot that The Glitch Mob was allotted, I was very pleased with the way they performed.  I have been following The Glitch Mob for a couple years now, and was quite surprised to hear the shift from dubstep and hiphop, to something completely different and even original in their own sense with their new album.  It wasn’t something that blew me away in the first listen to the album, but a greater appreciation was gained with each listen.  Hearing the songs performed live was another experience all in itself.  There’s just something about the live performances of the trio that brings a sense of energy that can’t be achieved in the studio.  Performing a selection from Drink The Sea, their tribute to East/West Coast, and other tracks I didn’t recognize, I was left with a feeling of satisfaction, dispelling all doubt that I may have had before the show.  Being that the crowd in attendance at the venue was spread out all over the place on several dance floors, it’s hard to say how their response was.  Obviously the people there to see The Glitch Mob stuck around to the end of their set, though I have to wonder how many wandered off to check out other dj’s due to the overlapping scheduling on other floors.  I was surprised overall by the lack of enthusiasm from the crowd compared to what I expected.  Maybe I wasn’t in the best spot for gauging the crowd’s reaction, but it just seemed that there was less of an applause at the end of the tracks than I would have expected and hoped for.  Did The Glitch Mob deserve a better turn out? Most definitely.  Did they deserve a better reaction from the crowd when it came time to show appreciation at the end of each track by applause? Not only yes, but hell yes.  And this is just based off of the reaction that I’ve seen from other crowds on video of course, but I guess I just would have expected more from the Baltimore crowd.  I’m going to go ahead and place the blame on the promoters who pulled the party together.  Not only did they schedule this amazing act for a rave amongst big name dj’s on several dance floors, they only set apart an hour of time for The Glitch Mob to perform, on what normally would be an hour and a half long performance, as explained by the guys after the show.  This in addition to the type of crowd that frequents raves, didn’t live up to par as one would hope for a group deserving a better response.

To The Glitch Mob, you guys were great.  Given the circumstances in which you performed, it couldn’t have been better.  But you deserved so much more in regards to the crowd and their response.  Hopefully that doesn’t detour you from making your way back to the DC area in the future.

Visit The Glitch Mob

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Casiokids – Finn Bikkjen! – Music Video


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Norwegian electro-pop band Casiokids is excited to debut a brand new video for their single, “Finn Bikkjen!,” Directed by Greg Taylor, the video focuses on the protagonist’s search for his dog within a dream (not a far stretch, considering “Finn Bikkjen!” is  Norwegian for “Find Dogs!”).

The single itself is  currently available for mp3 download, and is off of their forthcoming US debut Topp stemning på lokal bar, coming out June 8 on Polyvinyl.

Set in a sunny corner of the woods, the “Finn Bikkjen!” video features an fuzzy-eared, neon hoodie-clad pack of dancers, with face and hands obscured by glittering scarves. Equal parts eerie and joyous, organic and otherworldly, the video aptly reflects Casiokids’ unique sound. Discovered by former tour mates (and now labelmates) of Montreal, Casiokids put on a theatrical live show, not unlike the video, incorporating a blend of shadow puppets, video projections and animal costumes.

Casiokids is bringing their live show to festivals throughout Europe during the summer, and will return to the US for a national tour in August. Dates to be announced shortly.

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WHY? gets remixed by AmpLive – Download it for free


WHY 15581 WHY? gets remixed by AmpLive   Download it for free

A year and a half after releasing the acclaimed Alopecia LP, WHY? returns with their fourth album, Eskimo Snow (released Sept. 22, 2009). The two records are each other’s perfect foil: While last year’s release found Yoni Wolf and the gang delivering a tight set of intricate rhymes, live loops, slurred hooks and acerbic wit, Eskimo Snow offers a sung, sobering take on mortality that unfurls in lush waves of Americana and pop-infused psych-folk. Pre-mixed in Nashville by Lambchop’s Mark Nevers (Silver Jews, Bonnie Prince Billy, Calexico) and worked over by Alopecia engineer Eli Crews, this album is WHY?’s most live-sounding yet – a shadowy and sprawling piece as intimate in subject matter as it is handsome in timbre.

WHY? actually recorded Eskimo Snow at the same time as Alopecia, at Minneapolis’ Third Ear studio, with Fog’s Andrew Broder and Mark Erickson rounding out a live quintet. The vision for two separate albums emerged on a snowed-in night after a hot toddy or two. If Alopecia, however inexplicably, maintains a summery tone, then Eskimo Snow captures the bite and resignation associated with the Midwestern winters that these Cincinnati boys grew up with.

“These Hands” opens the album up rich and with deliberate pacing, Doug matching Yoni word-for-word (you’ll find no vocal overdubs here) and the rhythm section operating under heavy reverb. Vibraphone likewise duets with piano, windy wordless vocals fly around the atmosphere, and wet footsteps soon carry us to “January Twenty Something.” Here, you’re in the room with WHY?, listening to the bass rattle the drums and the drums rattle the vibes. Amid this folksy grandness, the whole crew sings for the chorus, bending their harmony into a gorgeously warped drawl. Next, “Against Me” brings the album’s brightest moment yet: a crescendo of bells that eventually dips into an aural whirlpool while Yoni spins picturesque observations like a countrified Dylan.

Across Eskimo Snow, Yoni weighs his ability to create a legacy against life’s transience. On the luxe, pedal-steel-drenched “Even The Good Wood Gone,” he transposes himself with a mummy in a museum, begging, “No flash photography,” drawing a line from the dubious promise of fame to the brittleness of antiquity. For “Into The Shadows Of My Embrace,” he explores sex and decay while the track vacillates between a live wall-of-sound and spare church organ passages. “One Rose” is gentler, sporting a Western stride and dark piano hits whose echoing blackness mimics Yoni’s wistful poems. Toward the song’s end, the chorus of Alopecia’s “A Sky For Shoeing Horses Under” makes a stormy reprise.

Most impressively, this record presents a band uninhibited, but evermore accomplished at imbuing sound with mood. “On Rose Walk, Insomniac” rolls forth on a tempestuous din, Josiah drumming hard through the chorus, where Yoni’s voice sounds like its running through a Leslie speaker. “Berkeley By Hearseback” comes in so soft, the guitar tones feel like waves of grain next to the splashy cymbals and that Jim James-worthy cowboy croon ricocheting through the background. “This Blackest Purse” weaves a melancholy that shirks dourness for a curious smile. And when the titular song brings the album to a hushed close, Eskimo Snow’s place in the narrative becomes clear. Rather than spit at death or threaten it with suicide, Yoni stops bucking against the inevitable. In the process, the band discovers a rich place that the rest of us can happily live within.

WHY?

05/27 Vancouver, BC Biltmore Cabaret *#
05/28 Portland, OR Wonder Ballroom *#
05/30 Eugene, OR WOW Hall *#
06/02 Oakland, CA New Parish of Oakland *#
06/03 Pomona, CA Glass House *#

* = w/ Josiah Wolf
# = w/ The Donkeys

WHY?

WHY?
Eskimo Snow
(Anticon)
Sept. 22, 2009

1. These Hands
2. January Twenty Something
3. Against Me
4. Even The Good Wood Gone
5. Into The Shadows of My Embrace
6. One Rose
7. On Rose Walk, Insomniac
8. Berkeley By Hearseback
9. This Blackest Purse
10. Eskimo Snow

WHY? LINKS:

Myspace: http://www.myspace.com/whyanticon

Press materials: http://www.anticon.com/pr/why.htm

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Bluebrain “Royal Blue” Music Video


Music by Bluebrain
Video by Robert Hodgin
Edited by Joshua David Vaile

DC-based brother duo Bluebrain unveil the video for “Royal Blue”, the opening track from their forthcoming debut album Soft Power (February 9th, Lujo Records). Created by Robert Hodgin, the video features computer-made hallucinatory visuals set to the song’s robust piano and gusty melody.

Bluebrain will showcase songs from their debut EP Cult Following and preview new tracks from the full-length on tour this winter. Stream tracks from both releases [http://www.bluebra.in] here and don’t miss them live, all dates below.

12/17/09     New York, NY @ Monkey Town, 8PM – FREE
01/16/10     Washington DC @ The Fridge Gallery, 8:30 PM – FREE
02/08/10     New York, NY @ Pianos, 8PM
02/15/10     New York, NY @ Pianos, 8PM
02/22/10     New York, NY @ Pianos, 8PM

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