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Coalesce ‘OXEP’ EP Review


oxep Coalesce OXEP EP Review

9.5/10

Written by: The Wolf

When Coalesce went on what seemed to be a permanent hiatus in 1999, a deep void was left in mine, and many other metal fan’s musical lives. After the band recorded 012:Revolution in Just Listening, in completely separate sessions from one another, it seemed that reconciliation was out of the picture.

While ’0:12′ was a decent album, the disconnect that was happening withing the band came through in the recording, and it lacked the intensity and drive of the phenomenal ‘Give Them Rope’, and ‘Functioning On Impatience’, their two previous records.

As various band members went on to join other influential bands including The Casket Lottery, The Get Up Kids, and Reggie and the Full Effect, hints of a reunion and a few small tours never materialized into anything substantial.

All that changed in June 2009 when the band released their triumphant return to the forefront of progressive metalcore (for lack of a better term) with Ox.

Not simply a rehashing of their previous albums, Ox represents the natural progression the band would have taken over the years had they remained intact.

Fresh off the heels of that stellar release comes the OXEP (not “Ox ep” as the band states). Make no mistake, this isn’t a collection of songs not worthy enough for the LP, but a continuation of the thunderous album which shares its name.

I recommend listening to both the EP and the LP through a good set of headphones, as you’ll want to make sure you pick up on everything that is happening. Heavily distorted bass guitar  features prominently throughout the record, and there is hardly a hint of any notes in higher registers. This combined with the use of acoustic guitar and subtle electronics make for both a beautiful and brutal recording.

While longer than most EP’s at 7 songs, tracks 1 and 7, Ox To Ore, and Ore To Earth, are mostly percussive and form the perfect intro and outro to this amazing effort.

If it’s been since 1999 when you last listened to Coalesce, do yourself a favor and pick up Ox and OXEP and re-familiarize yourself them, as they are destined for greatness once again.

- Buy ‘Oxep’

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Baroness “Blue Record” Review


9.7/100

Written by: T.Paine

baroness Baroness  “Blue Record” Review

So, how about metal, huh? Remember how cool it was when you were a socially awkward kid and Korn was your gateway to the world? And then how you grew out of it the first time you heard a Pavement/Neutral Milk Hotel/Replacements record? And how now that the ‘fork is giving Mastodon albums 9/10, it’s cool to be into metal again? Well, my singer told me about the new Baroness album, titled “Blue Record,” and after spending 14 of my hard earned dollars, I will say that I am completely and utterly blown away.

Baroness is quietly becoming one of those new wave “transcendent” metal bands, ones that may not be mainstream accessible, but still seem to have an ever growing fan base. “The Sweetest Curse” establishes a kind of sludgy atmosphere, which only enhances the blazing lead guitar parts, and “Jake Leg” may be one of the coolest jams I’ve heard in a long time. In terms of marketability, it may not be a great single, but it’s like watching LeBron James dunk a basketball. Cool beyond belief. Baroness can also mix it up a bit. The acoustic song “Steel That Sleeps the Eye” has some great noise effects in the background, turning a potential mood killing acoustic song into a dirge-y distortion fest that even had trace amounts of Pink Floyd pop up now and again.

This album was pretty much made for you to listen to in your headphones and take off into a different world. I would imagine that when the band Sleep mentioned the “riff-filled land” in their classic doom metal piece “Dopesmoker”, they were referring to Baroness, because the riffs up and down this album make me feel like just giving up on life and being a full time metal-head. The bass tone on “Swollen and Halo” made me feel like I got punched in the gut, and the first minute of the next song, “Ogeechee Hymnal” is what makes people like music in general. Seriously, Im trying not to mention every song, but they all have something rad about them. Like how “A Horse Called Golgotha” sounds like metal-head fan fiction where Joe Satriani plays guitar for Mastodon, and how “O’er Hell and Hide” reminds me of the Swedish seminal hardcore band Refused with its versatility.

The problem with writing a review for an album like this is there is nothing bad about it at all. I love it, you will love it, it is a lock for my top five at the end of the year and there is no way you won’t feel the same way. Fans of bands from The Appleseed Cast to Anal Cunt rejoice! Metal is cool once again!

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